 Artist: Adam Sandler: mp3 download Genre(s): Other Adam Sandler's discography:  They're All Gonna Laugh At You! Year: 1993 Tracks: 22 Born September 9, 1966, in Brooklyn, Adam Sandler was brocaded in Manchester, New Hampshire. At the old age of 17, his brother dared him to have got the leg at a Boston drollery club's amateur night and was surprised at how comfortably Adam performed. That planted the seed for his life history, though he first attended NYU, receiving a Fine Arts degree in 1989. Not long after graduation, Sandler gained a position with the NBC-TV sketch-comedy indicate Sat Night Live, and became one of the show's nearly popular actors during his five-year least sandpiper. In 1993, Warner Brothers sign Sandler to a recording squeeze, and he delivered his debut album They're All Gonna Laugh at You that September. The LP became pop with college radio and sold well, earning a gold certification and a Grammy nomination. Sandler bust out in the film the following class, appearance in Mixed Nuts and Coneheads in front his low gear starring vehicle, 1995's Bill Madison. His minute comedy record album, What the Hell Happened to Me?, was released in early 1996; it leapt into the Top 20 and eventually went atomic number 78. By at present i of the biggest amusing stars in America, Sandler reeled sour a string of blockbuster films including Billy Madison, The Wedding Singer, The Waterboy and Enceinte Daddy in front cathartic his one-third album, Stan and Judy's Kid, in 1999. The 2000s set up Sandler nerve-wracking his hand at less comedic rolls (Punch Drunk Love), invigoration (8 Crazy Nights), only the ticket booth results were variety. In 2004 he released his fifth album, Shhh...Don't Tell. |
Wednesday, 10 September 2008
Mp3 music: Adam Sandler
Monday, 1 September 2008
Download Diabolical Masquerade mp3
 Artist: Diabolical Masquerade: mp3 download Genre(s): Metal: Sympho Metal: Death,Black Other Discography:  Death's Design Year: 2000 Tracks: 61  Nightwork Year: 1998 Tracks: 7  The Phantom Lodge Year: 1997 Tracks: 9  Ravendusk In My Heart Year: 1995 Tracks: 9 A one-woman incline transmit off of Katatonia guitarist Anders Nyström (aka Blackheim), Sweden's Diabolical Masquerade released a chain of symphonious and cynical black admixture albums, starting with 1995's imaginatively titled Ravendusk in My Heart. The similarly elysian and ill-disposed The Phantom Lodge followed a couple age later, and fan favorite Nightwork in 1998, just with 2001's much delayed Death's Design, Nyström's expansive schemes arguably achieved their originative climax, this organism a full-fledged horror-movie soundtrack. Unfortunately, the flick in question was never released and Diabolical Masquerade never made it to a musical continuation, now wide reported to be in fact defunct. Finally, it's worth noting that illustrious producer, player, and Nyström confrere Dan Swanö (Edge of Sanity, Bloodbath, Pan-Thy-Monium, etc.) was rumored to be a silent subscriber to some of the above kit and bunch. |
Givenchy Outfits Madonna Tour
Friday, 22 August 2008
Rejected by Hong Kong, Glitter arrives in Thailand
BANGKOK, Thailand �
More info
Thai police aforesaid disgraced rock 'n' roll musician Gary Glitter agreed Thursday to leave Thailand for London, possibly ending a two-day odyssey that began when he was released from a Vietnamese prison house after portion time for molesting children.
However, Police Maj. Gen. Phongdej Chaiprawat could not say when the 64-year-old rocker would leave Bangkok nor which flight he would be taking. Glitter has twice been refused entry into Thailand and once turned away from Hong Kong after his acquittance Tuesday.
A spokeswoman for Thai Airways, world Health Organization refused to be identified because she was non authorized to speak to the press, confirmed Glitter was scheduled to leave late Thursday on one of its flight. But she refused to provide the divergence time.
Glitter, a British citizen, flew to Hong Kong on Wednesday night after Thai authorities barred him from entering the land. Hong Kong immigration officials then refused him entrance after interviewing him, a British Foreign Office spokesman said.
Police Col. Worawat Amornwiwat said Glitter arrived back in Bangkok on Thursday and would again be denied ingress. He aforementioned Glitter's airline, Thai Airways, should insure he continues on his originally planned journey to England.
"Thailand is not allowing him to enter the country and Hong Kong is turning him plunk for so on that point is no choice for him now,' Worawat said. "It is the responsibility of Thai Airways to acquire him out of the country."
On Tuesday night, Glitter, whose real name is Paul Francis Gadd, was taken from his prison house cell to a Thai Airways flight out of Ho Chi Minh City in Vietnam. He had been engaged to change planes in Bangkok en route to London, merely refused to board the flight to Britain, complaining of an earache.
Lt. Gen. Chatchawal Suksomchit, chief of Thailand's in-migration police, said Glitter was denied entry because under Thai immigration laws those convicted of child sex abuse in a foreign country behind be barred.
Another officer said his department received a note from Vietnam and Interpol requesting that Glitter not be allowed entry into Thailand. The official spoke on condition of anonymity since he was not authorised to speak to the press.
Glitter, 64, was convicted in March 2006 of committing "repulsive acts with children." He served iI years and nine months of a three-year sentence, which was reduced for good behavior.
The incidents involved two girls, ages 10 and 11, from the southern coastal city of Vung Tau. The finding of fact said he molested the girls repeatedly at his seaside villa in Vung Tau and in nearby hotels. Glitter proclaimed his innocence.
Glitter's fall from state of grace began in 1997, when he took his figurer to a repair grass and an employee there discovered he had downloaded thousands of hardcore adult images of children. Two years after, British regime convicted him of self-control of minor pornography, and Glitter served half of a four-month jail term.
Glitter hit the front pages of Britain's newspapers Wednesday.
In an editorial headlined "Who'd want him?" the conservative Daily Mail said "no country in its right mind would want this pervert at large on its soil."
The news hit as British Home Secretary Jacqui Smith announced a raft of new measures to tighten controls on people convicted of sexual offenses against children.
If Glitter returns to Britain, he will be met at the aerodrome by police force officers and be set on a sex offenders' registry, which already lists about 30,000 people.
In his 1970s heyday, Glitter performed in shiny jumpsuits, silver political program shoes and bouffant wigs. He sold 18 billion records and recorded a string of British top-10 hits.
His to the highest degree successful song, the crowd-pleasing anthem "Rock and Roll Part 2," cracked the top 10 in the United States.
---
Associated Press writers Watcharaporn Taithongchai in Bangkok, Thailand, and Raphael G. Satter and Jennifer Quinn in London contributed to this report.
More info
Tuesday, 12 August 2008
Democratic Party Approves Set Of Principles That Includes Commitment To Ensure All U.S. Residents Have 'Guaranteed' Access To Affordable Health Care
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The 186-member platform commission of the Democratic National Committee on Saturday in Pittsburgh voted to okay a 51-page platform that includes "guaranteed" access to affordable wellness care, the Pittsburgh Post-Gazette reports (O'Toole, Pittsburgh Post-Gazette, 8/9). The platform does not mention an individual health insurance mandate but acknowledges that "there are different approaches within the Democratic Party about how best to achieve the commitment of universal coverage" (Nicholas, Los Angeles Times, 8/10).
According to the platform, Democrats ar "united behind a commitment that every American man, woman and child be guaranteed to have low-priced, comprehensive health care" (Woodward, AP/San Francisco Chronicle, 8/10). The chopine also states, "Coverage should be made affordable for all Americans with train financial assistance through tax credits and other means," adding, "As affordable coverage is made available, individuals should purchase health indemnity and take steps to lead healthy lives." In addition, the platform calls for a tax credit to help oneself small businesses provide wellness insurance for employees (Pittsburgh Post-Gazette, 8/9).
Final approval of the platform will go on later this month at the Democratic National Convention in Denver (Los Angeles Times, 8/10). Party platforms "are typically given little attention subsequently they are adopted," simply the "party's decision to embrace guaranteed health guardianship is destined to suit a ahead yardstick by which [Illinois Sen. Barak] Obama's (D) presidency will be metrical if he wins in November," according to the AP/San Francisco Chronicle (AP/San Francisco Chronicle, 8/10).
Michael Kinsley, New York Times: "The purpose of a party platform is pandering ... to the faithful, under the assumption that only they will read it," and the Democratic Party chopine includes a large measure of "code" language on health care and former issues, Time columnist Kinsley writes in a Times opinion piece. According to Kinsley, the plank on health caution contains "mystery phrases that suggest a triumph for one side in some obscure policy battle." Kinsley writes that, amid a "frenzy of health maintenance promises -- basically, after the plan is fully implemented in 2050, no one will be permitted to get sick -- the Democrats advocate 'creating a generic pathway for biologic drugs.'" He adds, "Whether this is a rejoice for health and mutual sense or the miserable handiwork of a drug industry lobbyist (or both!), I have no idea." In addition, although "normally it is not possible to overutilisation the word 'American' or to overpraise this great country and its glorious people ... the Democrats crataegus oxycantha have set up a way in hopeful a health care system that is 'uniquely American,'" Kinsley writes, adding, "A uniquely American health maintenance system is what we've got" (Kinsley, New York Times, 8/10).
Paul Krugman, New York Times: The platform states that Democrats supporting access to health care for all U.S. residents, but whether Democrats canful "deliver on that commitment" remains undetermined, Times columnist Krugman writes. In "rule, it should be easy," Krugman writes, adding, "In practice, supporters of health care reform, myself included, will be hanging on by their fingernails until legislation is actually passed." According to Krugman, the "easy" division about "guaranteed health care for all" is that "we know that it's economically practicable," as "every wealthy country except the United States already has some form of guaranteed health precaution." He adds that the "politics of guaranteed fear are also easy, at least in one sense: if the Democrats do manage to establish a system of universal coverage, the country will love it." However, Krugman writes, "it's concentrated to get universal care established in the first-class honours degree place" because of "terzetto big hurdling." Democrats must win the election, "get the better of the public's fear of change" and maintain focus on health care amid the "many problems crying out for solutions," according to Krugman (Krugman, New York Times, 8/11).
Pittsburgh Post-Gazette: Both of the major presidential candidates will "move toward the political center" as the election nears, but, "on health care, the contrasts are stark and indicate the difference between the two candidates -- Obama is all about mandates, while McCain relies more on market forces," according to a Post-Gazette editorial. The editorial states, "How the two major parties view health care points to a difference in basic ism," as "Democratic plans distressed providing increased, preferably universal proposition, access to health precaution, while GOP proposals addressed costs, believing more Americans could aim health insurance if health care was more low-priced." The Obama health care proposal has a number of problems, the editorial states. "Employer mandates also would do little to address the cost of health care" and "likely would boost the prices charged by insurance companies and health care providers," according to the editorial. In improver, "government mandates to require health coverage is mission creep," the editorial states, adding, "That's when bureaucrats and politicians see their meddling isn't producing the desired results (usually because it can't), so they pile on more mandates requiring more than comprehensive reporting." The editorial states that Obama as well "demonstrates bad judgment with his ideas on pharmaceutical pricing." The editorial concludes, "The path health caution is provided in this country doesn't work well for everyone," but "up it for those on the lour end of the economical ladder doesn't have to come at the toll of qualification it worse for everyone else" (Pittsburgh Post-Gazette, 8/10).
Timothy Noah, Washington Post: The U.S. health care system will alteration during the next quaternary years because the "current patchwork is coming apart at the seams," Noah, a aged writer at Slate, writes in a Post thought piece. According to Noah, the conclusion by some observers that the "federal government -- which already provides taxpayer-funded health insurance to the elderly, the destitute and increasingly to minors -- should extend health care coverage to everyone" is "bulletproof" (Noah, Washington Post, 8/10).
Reprinted with kind license rom hTTP://www.kaisernetwork.org. You can view the integral Kaiser Daily Health Policy Report, search the archives, or polarity up for email delivery at hTTP://www.kaisernetwork.
The 186-member platform commission of the Democratic National Committee on Saturday in Pittsburgh voted to okay a 51-page platform that includes "guaranteed" access to affordable wellness care, the Pittsburgh Post-Gazette reports (O'Toole, Pittsburgh Post-Gazette, 8/9). The platform does not mention an individual health insurance mandate but acknowledges that "there are different approaches within the Democratic Party about how best to achieve the commitment of universal coverage" (Nicholas, Los Angeles Times, 8/10).
According to the platform, Democrats ar "united behind a commitment that every American man, woman and child be guaranteed to have low-priced, comprehensive health care" (Woodward, AP/San Francisco Chronicle, 8/10). The chopine also states, "Coverage should be made affordable for all Americans with train financial assistance through tax credits and other means," adding, "As affordable coverage is made available, individuals should purchase health indemnity and take steps to lead healthy lives." In addition, the platform calls for a tax credit to help oneself small businesses provide wellness insurance for employees (Pittsburgh Post-Gazette, 8/9).
Final approval of the platform will go on later this month at the Democratic National Convention in Denver (Los Angeles Times, 8/10). Party platforms "are typically given little attention subsequently they are adopted," simply the "party's decision to embrace guaranteed health guardianship is destined to suit a ahead yardstick by which [Illinois Sen. Barak] Obama's (D) presidency will be metrical if he wins in November," according to the AP/San Francisco Chronicle (AP/San Francisco Chronicle, 8/10).
McCain No Longer Supports Cigarette Tax Increase
In other election news, the political campaign of presumptive Republican presidential nominee Sen. John McCain (Ariz.) has decided not to accompaniment a bill he proposed in 1998 that would have increased the federal cigarette task, allowed FDA to modulate tobacco products, and needful the tobacco industry to finance anti-smoking programs and settle a lawsuit filed by states, Roll Call reports. The legislation, which died on the Senate floor, would have provided the union government with an extra $516 gazillion in tax revenue over 25 long time. According to Roll Call, McCain, "whose credentials as a assess cutter are suspect among many on the veracious, was the author and driver of the account," but "leading conservatives today are in general willing to forgive the Arizona senator for what they view as his transgression on the tobacco measure."
McCain senior economic adviser Douglas Holtz-Eakin last week declined to input directly on whether the senator still supports the legislation simply said that he does not favor an increase in the federal coffin nail tax. The bill "was multidimensional," Holtz-Eakin said, adding, "We can't turn back the clock" and "take a bill from that era and put it in modern times" (Koffler, Roll Call, 8/11).
Editorial, Opinion Pieces
Summaries of an editorial and several opinion pieces related to to health care in the presidential election come out below.
Michael Kinsley, New York Times: "The purpose of a party platform is pandering ... to the faithful, under the assumption that only they will read it," and the Democratic Party chopine includes a large measure of "code" language on health care and former issues, Time columnist Kinsley writes in a Times opinion piece. According to Kinsley, the plank on health caution contains "mystery phrases that suggest a triumph for one side in some obscure policy battle." Kinsley writes that, amid a "frenzy of health maintenance promises -- basically, after the plan is fully implemented in 2050, no one will be permitted to get sick -- the Democrats advocate 'creating a generic pathway for biologic drugs.'" He adds, "Whether this is a rejoice for health and mutual sense or the miserable handiwork of a drug industry lobbyist (or both!), I have no idea." In addition, although "normally it is not possible to overutilisation the word 'American' or to overpraise this great country and its glorious people ... the Democrats crataegus oxycantha have set up a way in hopeful a health care system that is 'uniquely American,'" Kinsley writes, adding, "A uniquely American health maintenance system is what we've got" (Kinsley, New York Times, 8/10).
Paul Krugman, New York Times: The platform states that Democrats supporting access to health care for all U.S. residents, but whether Democrats canful "deliver on that commitment" remains undetermined, Times columnist Krugman writes. In "rule, it should be easy," Krugman writes, adding, "In practice, supporters of health care reform, myself included, will be hanging on by their fingernails until legislation is actually passed." According to Krugman, the "easy" division about "guaranteed health care for all" is that "we know that it's economically practicable," as "every wealthy country except the United States already has some form of guaranteed health precaution." He adds that the "politics of guaranteed fear are also easy, at least in one sense: if the Democrats do manage to establish a system of universal coverage, the country will love it." However, Krugman writes, "it's concentrated to get universal care established in the first-class honours degree place" because of "terzetto big hurdling." Democrats must win the election, "get the better of the public's fear of change" and maintain focus on health care amid the "many problems crying out for solutions," according to Krugman (Krugman, New York Times, 8/11).
Pittsburgh Post-Gazette: Both of the major presidential candidates will "move toward the political center" as the election nears, but, "on health care, the contrasts are stark and indicate the difference between the two candidates -- Obama is all about mandates, while McCain relies more on market forces," according to a Post-Gazette editorial. The editorial states, "How the two major parties view health care points to a difference in basic ism," as "Democratic plans distressed providing increased, preferably universal proposition, access to health precaution, while GOP proposals addressed costs, believing more Americans could aim health insurance if health care was more low-priced." The Obama health care proposal has a number of problems, the editorial states. "Employer mandates also would do little to address the cost of health care" and "likely would boost the prices charged by insurance companies and health care providers," according to the editorial. In improver, "government mandates to require health coverage is mission creep," the editorial states, adding, "That's when bureaucrats and politicians see their meddling isn't producing the desired results (usually because it can't), so they pile on more mandates requiring more than comprehensive reporting." The editorial states that Obama as well "demonstrates bad judgment with his ideas on pharmaceutical pricing." The editorial concludes, "The path health caution is provided in this country doesn't work well for everyone," but "up it for those on the lour end of the economical ladder doesn't have to come at the toll of qualification it worse for everyone else" (Pittsburgh Post-Gazette, 8/10).
Timothy Noah, Washington Post: The U.S. health care system will alteration during the next quaternary years because the "current patchwork is coming apart at the seams," Noah, a aged writer at Slate, writes in a Post thought piece. According to Noah, the conclusion by some observers that the "federal government -- which already provides taxpayer-funded health insurance to the elderly, the destitute and increasingly to minors -- should extend health care coverage to everyone" is "bulletproof" (Noah, Washington Post, 8/10).
Reprinted with kind license rom hTTP://www.kaisernetwork.org. You can view the integral Kaiser Daily Health Policy Report, search the archives, or polarity up for email delivery at hTTP://www.kaisernetwork.
Wednesday, 6 August 2008
Giving 'Meaning' To Measurement In Prostate Cancer
� Can scores of patient-reported resultant (PRO) measures be made more meaningful to patients and physicians?
For days patients, physicians, and policy makers possess questioned the usefulness of scores generated by PRO measures. Unlike 'objective' biological markers, loads of 'subjective' assessments such as
For days patients, physicians, and policy makers possess questioned the usefulness of scores generated by PRO measures. Unlike 'objective' biological markers, loads of 'subjective' assessments such as
Monday, 30 June 2008
Tool Star Recovering From Hand Surgery Following Sea Attack
TOOL drummer DANNY CAREY is recovering from hand surgery after he was attacked by "an unruly marine" creature while on vacation.
The rocker was holidaying on Hawaii recently when he was injured during a swimming session.
In a post on Tool's official website, the band reveals the creature was "a hazard, venomous and dangerous," adding, "This aquatic critter was most likely a sea urchin or a scorpion fish."
The post is accompanied by a photo of Carey's scarred hand.
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Kay D. Smith
Artist: Kay D. Smith
Genre(s):
Techno
Discography:
The Mental Core-(Composure14)
Year: 2004
Tracks: 3
Tool Adjuster Vinyl
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My Drugs Vinyl
Year: 2003
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Composure 06 Vinyl
Year: 2003
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Clubliner 3 EP Vinyl
Year: 2003
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Clubliner 2 Vinyl
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Bretthaus Vinyl
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Battlefield Brain (CR12039)
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Psychodrill
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Meine Reise
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Composure 03
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Clubliner 1 E.P Vinyl
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Alternative Memory
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Divine Heresy
Artist: Divine Heresy
Genre(s):
Rock
Discography:
Bleed the Fifth!
Year: 2007
Tracks: 10
Even if he had retired from public life to raise goats in North Dakota, guitarist Dino Cazares' heavy alloy bequest would throw been indefinitely perpetuated thanks to his groundbreaking ceremony turn in the nineties with Fear Factory, one of the number 1 bands that successfully soldered industrial elements to metal, piece introducing the synchronised habit of both gruesomely growled vocals and melodic singing that became so popular in the 2000s. All the while, Cazares was of course simultaneously involved with the controversial Latino death alloy gang Brujeria and, afterwards, their stillborn offshoot, Asesino, only after laying relatively low for several long time, the guitar player would embark on his first-class honours degree significant post-Fear Factory project via a brand new dance orchestra named Divine Heresy. Teaming up with singer Tommy "Vext" Cummings, bassist Joe Payne (ex-Nile, world Health Organization replaced early member Risha Eryavec), and drummer Tim Yeung (ex-Vital Remains, Hate Eternal, All That Remains, etc.), Cazares released Divine Heresy's debut album, Bleed the Fifth, in 2007.
Upcdowncleftcrightcabc+Start
Artist: Upcdowncleftcrightcabc+Start
Genre(s):
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Discography:
And The Battle Is Won
Year: 2005
Tracks: 10
Lil Flip and Sqad-Up
Artist: Lil Flip and Sqad-Up
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Don't Throw Rocks At The Thron
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Michael Moore to publish his 'Election Guide' this summer
Babyshambles: 'Boris Johnson won't be Mayor Of London for long'
Babyshambles Drew McConnell is taking on London Mayor Boris Johnson.
The bassist had harsh words for the new incumbent after he dropped an anti-racist component from the annual Rise Festival.
The event had previously being organised in conjunction by former mayor Ken Livingstone, the National Assembly Against Racism and trade unions.
Speaking about Johnson apparent dropping of the anti-racism element, McConnell declared: "Boris Johnson may try to strip the Rise Festival of its anti-racism message, but its very essence always has and always will be anti-racist.
"That Johnson has such authority is horribly wrong and we as Londoners are taking note. He won't be Mayor for long."
The bassist had harsh words for the new incumbent after he dropped an anti-racist component from the annual Rise Festival.
The event had previously being organised in conjunction by former mayor Ken Livingstone, the National Assembly Against Racism and trade unions.
Speaking about Johnson apparent dropping of the anti-racism element, McConnell declared: "Boris Johnson may try to strip the Rise Festival of its anti-racism message, but its very essence always has and always will be anti-racist.
"That Johnson has such authority is horribly wrong and we as Londoners are taking note. He won't be Mayor for long."
My Morning Jacket, Wainwright benefit from oversharing
Oversharing is the latest indulgence embraced by one generation and worrying another. Teens and twentysomethings raised by the Internet have no locks on their hearts and bedrooms. This drives baby boomers, who'd previously owned the market on narcissism, into a fitful frenzy. Kids dropping their own names instead of dropping acid? How wrong.
One aspect of our national character might, however, benefit from all this self-absorption: It could be making us a nation of artists. Oversharing, after all, is often the soul of creative expression. In the performing arts, the willingness to violate propriety and open up the self can make the difference between an admirable effort and one that blows people away.
Two new pop releases illustrate the benefits of well-wrought oversharing. "Evil Urges" is the fifth studio album from the Kentucky-bred rock band My Morning Jacket. "I Know You're Married but I've Got Feelings Too" is the second from the Canadian American singer-songwriter http://http:\marthawainwright.com. On the surface, these albums have little in common. But they both risk an emotional and sonic forcefulness that doesn't quite fit in with the well-managed poses many pop stars strike today. And they're both fantastic.
Soulful hospitality
My Morning Jacket has been moving steadily toward its big moment since releasing its first album, "The Tennessee Fire," in 1999. Pegged early on as hippie Southern jammers, MMJ gradually showed its mastery of influences ranging from classic R&B to Pink Floyd. The group got pegged again, this time as "the American Radiohead," as its reputation for transcendent live shows began rivaling that of the English artistes.
But while Radiohead's expansiveness always has had a stern undercurrent -- they worked for it, it means something -- MMJ's vibe is warm and loose. It's always a pleasure to hear bandleader Jim James find new ways to turn his trilling tenor into a roar, and though he wrote the songs and is always firmly at the helm on their execution, his compositional approach is based on allowing his mates to stretch out.
This effusiveness makes MMJ utterly lovable. The band overshares, not in a confessional sense, but in the way bands have since Led Zeppelin first trolled the Earth: by claiming a huge space with its sound and reimagining the world within it. Most groups seek to dominate within these imaginary worlds -- think of Zep's "Kashmir" or Metallica's "Enter Sandman" -- but MMJ's encroachment is gentler: a welcome embrace.
What's been missing in MMJ's sound, until now, is a strong sense of personal expressiveness. James has said in recent interviews that he's not always quite sure of his own identity, and that vagueness has shown in his songwriting. But on "Evil Urges," James remedies that. He leads the band firmly into the album's songs, making sure each solidifies into a strong statement rather than just billowing around in a cloud of influences. In these settings, his philosophical musings become more grounded; they seem to come from the flesh, not just a disembodied, blissed-out mind.
"I need a human right by my side," James sings on the album's second track, and among other things, "Evil Urges" is a chronicle of that aspiration. James puts on various costumes -- the soul brother, the country crooner, the indie brat -- to find himself and connect with others. Playing around with pop styles becomes a metaphor for the search for human connection. The band has fun figuring out what each offers, turning silly on the funk breakdown "Highly Suspicious," seductive on the countrypolitan "Librarian" and plain sweet on the yacht-rocking "Thank You Too!"
James' lyrical expressions of fulfilled or disappointed longing combine with the extroverted song structures on "Evil Urges" to make this a sexy bunch of songs, even when the desire expressed is for an unnamed god or for humanity as a whole. (That hot bespectacled bookworm does get her due.) Already beloved by a growing cult, MMJ reaches out in a different way here, becoming more accessible without shrinking its ambitions.
A woman in full
My Morning Jacket's oversharing happens on a major scale, as the band offers up its magnanimous sound as a source of inspiration and a way into love. Martha Wainwright is more traditional in her methods of self-exposure, though she's never hackneyed. The daughter of two famoussinger-songwriters and the sister of another, Wainwright has spent much time struggling to figure out how to best stand her own ground. Now she's not only found her place, she's set it ablaze.
On "I Know You're Married but I've Got Feelings Too," her second solo album on the Zoe/Rounder label, Wainwright dares to do what far too few artists can in today's waxed-and-Spanxed cultural climate. She gives ferocious, tender voice to female desire, conjuring scenes and dreams that don't fit within the tightly managed image of femininity so dominant today.
Wainwright's voice can be as big as a lioness' roar or as close as a kiss on the neck, and she uses it fearlessly in musical arrangements that are both pop-wise and delightfully strange. Produced by Wainwright's bassist and new groom, Brad Albetta, "I Know You're Married," like "Evil Urges," doesn't fit easily into one category. It's too audacious to classify as adult contemporary, too sophisticated for indie, too enamored of cabaret to be country, too loud to be soft rock.
Bold contradiction is the existential state that the 32-year-old Wainwright now unapologetically claims, putting aside years of occasional brilliance marred by a seeming fear of overdoing it. At the edge of too much, she uncovers the meaningful stories of women's lives. Starting with the album title, which acknowledges -- no, celebrates -- petulant and deeply inappropriate yearnings (and, even better, comes from a song called "Bleeding All Over You"), Wainwright makes a stand for not hiding. Though her lyrics can be poetic, she's not crafting bon mots over cosmopolitans. She's searching for the best way to tackle feelings and situations that would be easier to dodge.
Fear of death, inspired by her own mother's cancer scare; bafflement at a friend's suicide; lovers killed in each other's arms and others sneaking out for a tryst in a hotel: This is not the stuff of lighthearted pop. But "I Know You're Married" is a pop album. It's full of delicious melodies, bold arrangements and expert musicianship. Famous pals Pete Townshend and Donald Fagen and family members Rufus Wainwright and Kate and Anna McGarrigle offer support. It's Martha, though, who owns these songs, every lovely and raw note.
Risky and immediate, Wainwright's music reminds us that self-exposure and exhibitionism are different things. Some might think she's oversharing. In fact, she is simply sharing -- finding a way, through the struggle of music-making, to communicate honestly.
That's not so common in these overscripted times. I guess you'd call it drama in real life.
ann.powers@latimes.com
One aspect of our national character might, however, benefit from all this self-absorption: It could be making us a nation of artists. Oversharing, after all, is often the soul of creative expression. In the performing arts, the willingness to violate propriety and open up the self can make the difference between an admirable effort and one that blows people away.
Two new pop releases illustrate the benefits of well-wrought oversharing. "Evil Urges" is the fifth studio album from the Kentucky-bred rock band My Morning Jacket. "I Know You're Married but I've Got Feelings Too" is the second from the Canadian American singer-songwriter http://http:\marthawainwright.com. On the surface, these albums have little in common. But they both risk an emotional and sonic forcefulness that doesn't quite fit in with the well-managed poses many pop stars strike today. And they're both fantastic.
Soulful hospitality
My Morning Jacket has been moving steadily toward its big moment since releasing its first album, "The Tennessee Fire," in 1999. Pegged early on as hippie Southern jammers, MMJ gradually showed its mastery of influences ranging from classic R&B to Pink Floyd. The group got pegged again, this time as "the American Radiohead," as its reputation for transcendent live shows began rivaling that of the English artistes.
But while Radiohead's expansiveness always has had a stern undercurrent -- they worked for it, it means something -- MMJ's vibe is warm and loose. It's always a pleasure to hear bandleader Jim James find new ways to turn his trilling tenor into a roar, and though he wrote the songs and is always firmly at the helm on their execution, his compositional approach is based on allowing his mates to stretch out.
This effusiveness makes MMJ utterly lovable. The band overshares, not in a confessional sense, but in the way bands have since Led Zeppelin first trolled the Earth: by claiming a huge space with its sound and reimagining the world within it. Most groups seek to dominate within these imaginary worlds -- think of Zep's "Kashmir" or Metallica's "Enter Sandman" -- but MMJ's encroachment is gentler: a welcome embrace.
What's been missing in MMJ's sound, until now, is a strong sense of personal expressiveness. James has said in recent interviews that he's not always quite sure of his own identity, and that vagueness has shown in his songwriting. But on "Evil Urges," James remedies that. He leads the band firmly into the album's songs, making sure each solidifies into a strong statement rather than just billowing around in a cloud of influences. In these settings, his philosophical musings become more grounded; they seem to come from the flesh, not just a disembodied, blissed-out mind.
"I need a human right by my side," James sings on the album's second track, and among other things, "Evil Urges" is a chronicle of that aspiration. James puts on various costumes -- the soul brother, the country crooner, the indie brat -- to find himself and connect with others. Playing around with pop styles becomes a metaphor for the search for human connection. The band has fun figuring out what each offers, turning silly on the funk breakdown "Highly Suspicious," seductive on the countrypolitan "Librarian" and plain sweet on the yacht-rocking "Thank You Too!"
James' lyrical expressions of fulfilled or disappointed longing combine with the extroverted song structures on "Evil Urges" to make this a sexy bunch of songs, even when the desire expressed is for an unnamed god or for humanity as a whole. (That hot bespectacled bookworm does get her due.) Already beloved by a growing cult, MMJ reaches out in a different way here, becoming more accessible without shrinking its ambitions.
A woman in full
My Morning Jacket's oversharing happens on a major scale, as the band offers up its magnanimous sound as a source of inspiration and a way into love. Martha Wainwright is more traditional in her methods of self-exposure, though she's never hackneyed. The daughter of two famoussinger-songwriters and the sister of another, Wainwright has spent much time struggling to figure out how to best stand her own ground. Now she's not only found her place, she's set it ablaze.
On "I Know You're Married but I've Got Feelings Too," her second solo album on the Zoe/Rounder label, Wainwright dares to do what far too few artists can in today's waxed-and-Spanxed cultural climate. She gives ferocious, tender voice to female desire, conjuring scenes and dreams that don't fit within the tightly managed image of femininity so dominant today.
Wainwright's voice can be as big as a lioness' roar or as close as a kiss on the neck, and she uses it fearlessly in musical arrangements that are both pop-wise and delightfully strange. Produced by Wainwright's bassist and new groom, Brad Albetta, "I Know You're Married," like "Evil Urges," doesn't fit easily into one category. It's too audacious to classify as adult contemporary, too sophisticated for indie, too enamored of cabaret to be country, too loud to be soft rock.
Bold contradiction is the existential state that the 32-year-old Wainwright now unapologetically claims, putting aside years of occasional brilliance marred by a seeming fear of overdoing it. At the edge of too much, she uncovers the meaningful stories of women's lives. Starting with the album title, which acknowledges -- no, celebrates -- petulant and deeply inappropriate yearnings (and, even better, comes from a song called "Bleeding All Over You"), Wainwright makes a stand for not hiding. Though her lyrics can be poetic, she's not crafting bon mots over cosmopolitans. She's searching for the best way to tackle feelings and situations that would be easier to dodge.
Fear of death, inspired by her own mother's cancer scare; bafflement at a friend's suicide; lovers killed in each other's arms and others sneaking out for a tryst in a hotel: This is not the stuff of lighthearted pop. But "I Know You're Married" is a pop album. It's full of delicious melodies, bold arrangements and expert musicianship. Famous pals Pete Townshend and Donald Fagen and family members Rufus Wainwright and Kate and Anna McGarrigle offer support. It's Martha, though, who owns these songs, every lovely and raw note.
Risky and immediate, Wainwright's music reminds us that self-exposure and exhibitionism are different things. Some might think she's oversharing. In fact, she is simply sharing -- finding a way, through the struggle of music-making, to communicate honestly.
That's not so common in these overscripted times. I guess you'd call it drama in real life.
ann.powers@latimes.com
Mel Torme, Gerry Mulligan and George Shearing
Artist: Mel Torme, Gerry Mulligan and George Shearing
Genre(s):
Jazz
Discography:
The Classic Concert Live
Year: 2005
Tracks: 13
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Artist: St. Vincent
Genre(s):
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Discography:
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Year: 2007
Tracks: 11
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Ananda Shankar
Artist: Ananda Shankar
Genre(s):
Other
Rock
Ethnic
Discography:
Sa-Re-Ga Machan
Year: 1981
Tracks: 10
Snow Flower
Year: 1977
Tracks: 8
Ananda Shankar
Year: 1970
Tracks: 8
Melodies from India
Year: 1968
Tracks: 18
Walking On - The Ananda Shan..
Year:
Tracks: 11
Walking On
Year:
Tracks: 11
Ananda Shankar, nephew of world-famous sitar player, Ravi Shankar, never quite matched the success of his uncle, only made a important impact in the '70s psychedelic resistance scene by combination Western electronics and Indian music to create instrumental jams and moody soundtracks.The boy of famed classical dancers caught the entertainment industry bug in the late '60s and traveled to Los Angeles, where he played with rock musicians (including Jimi Hendrix) at the elevation of the psychedelic movement. At long time 27, he sign-language a apportion with Reprise Records world Health Organization released his debut self-titled album; a coalition cult classic that combined Hindustani music with psych-rock and included sitar-heavy versions of "Jumping Jack Flash" and "Light My Fire." After inadequate Stateside record gross sales, Shankar returned to India and began constructing 1975's Ananda Shankar and His Music, a blend of savage funk beats, keyboards, and traditional Indian instruments. From 1978 to 1981, he recorded cinque conceptual records: Republic of India Remembers Elvis (Indian versions of Elvis standards), A Musical Discovery of India (an enterprise financed by the Indian tourist board), Missing You (a dedication to his parents), the space-themed 2001, and the jungle safari-tinged Sá-Re-Gá Machán. In the mid-'90s, a new generation of DJs and musicians plant an abundance of samples in his discography, and when Blue Note released the 1996 compilation album Risque Juice, Vol. 1 which featured two of his dance tracks, "Streets of Calcutta" and "Terpsichore Drums," a reawakened interest in his music light-emitting diode to a tour-slot in Peter Gabriel's Womad festival and some other aboard Asian turntablist DJ State of Bengal. This collaboration resulted in 2000s Walking On, featuring Shankar's sitar virtuosity motley with bachelor launchpad breakbeats and trip-hop. Sadly, he never byword the sack of the album, due to a sudden nub attack at eld 56. In 2007, Fallout Records reissued Ananda Shankar and His Music, with Sá-Re-Gá Machán with India Remembers Elvis tacked on as bonus tracks.
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